Vauxhall Gardens 1785

by illustration: Thomas Rowlandson (1756–1827); engraving: Robert Pollard (1755–1838); aquatinta: Francis Jukes (1745–1812) last modified 2020-05-25T10:05:56+01:00
Library of Congress
Vaux-Hall, print of an aquatint and engraving after a drawing by Thomas Rowlandson (1756–1827), engraver: Robert Pollard (1755–1838), aquatint: Francis Jukes (1745–1812), London: published by J. R. Smith 1785; image source: Library of Congress, Prints and Photographs Division, Digital ID: (digital file from original print) pga 03193 http://hdl.loc.gov/loc.pnp/pga.03193.

Vauxhall Gardens 1785 IMG

In 17th and 18th century England, pleasure gardens were social meeting places for the upper and middle classes. The best known was Vauxhall Gardens in London, which was opened in 1661. Pleasure gardens were imitated in France, where they became known as “les Wauxhalls”. At least ten such places of amusement opened in Paris between 1764 and 1789, and they could also be found in other French cities. The image depicts a fictional scene in London’s Vauxhall Gardens. On the upper left-hand side, on the pavilion’s balcony, the singer Elizabeth Weichsel (ca. 1765-1818) can be seen. Seated at the table is the writer and lexicographer Samuel Johnson (1709-1784), centre, with his later biographer James Boswell (1740-1795) and the writer and poet Oliver Goldsmith (1728-1774). On the far right of the image, the Prince of Wales, later George IV, can be seen whispering in the ear of the actress Mary Robinson (1757-1800), depicted here in the role of Perdita.


Vaux-Hall, print of an aquatint and engraving after a drawing by Thomas Rowlandson (1756–1827), engraver: Robert Pollard (1755–1838), aquatint: Francis Jukes (1745–1812), London: published by J. R. Smith 1785; image source: Library of Congress, Prints and Photographs Division, Digital ID: (digital file from original print) pga 03193 http://hdl.loc.gov/loc.pnp/pga.03193.


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